“Stase”, recorded during the Mapping Festival, April 2008, is a 22-minutes-piece, based on prepeared sounds from an acoustic guitar. Drones and textures are flickering around in the beginning, shifting from front to back and increase to a point, where all sound-elements seem to thicken to a massive, pending drone. “Contre Stase”, recorded in an empty room in an empty house, deals with a similar concept. All sound-textures and layers concentrate on a point, but after a short periode of attraction, the elements seem to drift away, floating into open spaces.